VOS, Marten de

Flemish painter (b. 1532, Antwerpen, d. 1603, Antwerpen). Flemish painter and draughtsman. Together with the brothers Ambrosius Francken I and Frans Francken I, he ranks among the most important painters of altarpieces in Antwerp during the 1590s. Due, in part, to the Counter-Reformation, there was a renewed demand for altarpieces to replace those lost during iconoclastic riots in 1566 or the reformist movement of 1581. De Vos produced works for, among others, the Old Crossbowmen, the Brabant Coiners, the Antonites, the wine merchants and the Guild of St Luke. The importance of these works would seem to suggest that, after the deaths of Pieter Bruegel I in 1569 and Frans Floris in 1570, de Vos was considered, with some justification, the most important figure painter in Antwerp before Rubens. He was also a prolific draughtsman, especially during the first half of the 1580s, when the Calvinists were in power in Antwerp. During this period he provided numerous designs for print publishers, such as Peeter Baltens, Frans van Beusecom, the widow of Hieronymus Cock, Adriaen Collaert, Phillip Galle, Willem van Haecht, Eduard van Hoeswinkel, Gerard de Jode, Hans van Luyck and Johannes Baptista Vrints. This increased activity is probably indicative of the economic recession and a dwindling market for paintings (especially of religious themes). A total of some 1600 prints were produced after designs by de Vos, an output three times that of Maarten van Heemskerck. De Vos's drawings have been praised (see Mielke) for their lively,


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VOS, Marten de Nativity  ery oil


Nativity ery
Painting ID::  9677
Nativity ery
1577 Oil on panel, 106 x 75 cm O.-L. Vrouwekathedraal, Antwerp
   
   
     

VOS, Marten de The Temptation of St Antony  awr oil


The Temptation of St Antony awr
Painting ID::  9678
The Temptation of St Antony awr
1591-94 Oil on panel, 280 x 212 cm Koninklijk Museum voor Schone Kunsten, Antwerp
   
   
     

VOS, Marten de The Family of St Anne aer oil


The Family of St Anne aer
Painting ID::  9679
The Family of St Anne aer
1585 Oil on panel, 155,3 x 170 cm Museum voor Schone Kunsten, Ghent
   
   
     

VOS, Marten de The Tribunal of the Brabant Mint in Antwerp wr oil


The Tribunal of the Brabant Mint in Antwerp wr
Painting ID::  9680
The Tribunal of the Brabant Mint in Antwerp wr
1594 Oil on panel, 157 x 215 cm Rockox House, Antwerp
1594 Oil_on_panel,_157_x_215_cm Rockox_House,_Antwerp
   
   
     

VOS, Marten de The Temptations of St.Anthony oil


The Temptations of St.Anthony
Painting ID::  37416
The Temptations of St.Anthony
mk126 1591-94 Oil on wood 280x212cm
mk126 1591-94 Oil_on_wood 280x212cm
   
   
     

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     VOS, Marten de
     Flemish painter (b. 1532, Antwerpen, d. 1603, Antwerpen). Flemish painter and draughtsman. Together with the brothers Ambrosius Francken I and Frans Francken I, he ranks among the most important painters of altarpieces in Antwerp during the 1590s. Due, in part, to the Counter-Reformation, there was a renewed demand for altarpieces to replace those lost during iconoclastic riots in 1566 or the reformist movement of 1581. De Vos produced works for, among others, the Old Crossbowmen, the Brabant Coiners, the Antonites, the wine merchants and the Guild of St Luke. The importance of these works would seem to suggest that, after the deaths of Pieter Bruegel I in 1569 and Frans Floris in 1570, de Vos was considered, with some justification, the most important figure painter in Antwerp before Rubens. He was also a prolific draughtsman, especially during the first half of the 1580s, when the Calvinists were in power in Antwerp. During this period he provided numerous designs for print publishers, such as Peeter Baltens, Frans van Beusecom, the widow of Hieronymus Cock, Adriaen Collaert, Phillip Galle, Willem van Haecht, Eduard van Hoeswinkel, Gerard de Jode, Hans van Luyck and Johannes Baptista Vrints. This increased activity is probably indicative of the economic recession and a dwindling market for paintings (especially of religious themes). A total of some 1600 prints were produced after designs by de Vos, an output three times that of Maarten van Heemskerck. De Vos's drawings have been praised (see Mielke) for their lively,

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